The art of bowing.

[Charles Federle]

Originally Posted by Richard Prowse

Alright already! (That's what yankees always say on TV)
Ken, if I find a copy of Gradus Ad Parrnassium Book II, will it contain articulation exercises as well as bowing control exercises. I'd really like to do some work on bowing patterns. I hope that makes sense, I'm doing school work as I write and my mind is on two things - hard for any man!

One of the nice things about practicing bowing patterns is that you don't really need a book, just alot of imagination. Though I have gotten a few handouts that have inspired me and helped out. http://www.box.net/public/static/1ukqpfuhg3.pdf has a copy of the Simandl, at least part of it, along with alot of great technique. http://www.box.net/public/static/icmmgjiz3g.pdf seems to have quite a bit for the bow as well.

As for the how close to the bridge and fingerboard, I agree with Nick. For practice push yourself to the limits, and always try to expand them. In performance though use what sounds best (on my bass about an inch or two for normal orchestra work). Whenever I find myself having played a big work either solo or in an orchestra I can tell that the bow has been all since most of the time you need a wide palate to choose from.