Mystery bass

[Joel Larsson]

Ordering your own bass does seem very nice... I've been thinking about doing that, too. The more basses on the market, the better for everybody else about to buy a bass! So, be prepared to keep it throughout your life; it won't sell for the same amount of money you spent. Have you actually played a Martin? Keep in mind the other makers out there, the Pöllmann brothers, Peter Elias, and so on. They'll make a bass for about $20k or slightly more, I think. Perhaps a lot more; I'm not too up to date with the currencies right now... I hope to try a Martin next week, or at least I'll see Mr. Martin himself on a course. I won't bring my own Pöllmann so I couldn't compare them properly, but I'll be happy to give you my thoughts.

Anyways, I quite like that bass you have there. Probably a shop bass, yes, but a nice shop bass. (You can find pics of one that I have in the 'Speaking of restorations' topic that's probably the age of yours, but is a (cheaper) Gamba model.) A friend of mine has another early 20th century bass labeled "Markneukirchen", a brand associated with a dealer who bought instruments from local, not (yet) master luthiers and probably factories too. His bass is nice. Needs a new neck, though... but the wood seems fine, sound is good, and it might actually turn out good after a restoration. Perhaps good enough that he may not have to buy an even better bass in order to win an audition, but you see this is the problem - as a student, you can't afford to spend money on something that might not turn out good enough; in a few years you'll have to be able to win an audition, and if your bass isn't good enough, you won't be able to do yourself justice.
The "Markneukirchen" label in his bass is associated with a dealer who bought instruments from local luthiers who weren't master makers, but probably from factories too; perhaps, if my friend is lucky, the guy who once built his bass may have been rather skilled. So, it COULD become quite okay. Problem is that you never know. The fact that the bass is rahter old is likely to have made it sound better than it did when it was new, problem is that lots of work often needs to be done as these instruments never seem to have been taken proper care of, and a restoration usually won't pay off. Been there, done that: My small Gamba model has a pretty nice sound, but not enough to justify the amount of money spent. Nothing is certain - especially if it is factory made. I like the fact that you already dropped your bass off at the luthier's, though; probably not very wise if you want to save your bucks, but I'd probably do the same. Could never stand seeing a bass go to waste...

Long rant, not much said. Tell us about the result, and how it compares to other instruments in the $5-12k range! When will you get it back?

[Arnold Schnitzer]

I'm the one who posted that the bass LOOKED like a KIng, after another TB'er forwarded the opinion that the edges looked delaminated, like plywood, and that he thought it was a Kay. My guess was based on a couple small, dark pics posted on TB. I stand by my opinion. It does LOOK like a King, even if it's not. Jeez, who put that Polyurethane all over it?

[Jess Ting]

Thanks for the input Ken. Are you available Saturdays? I recall that I looked on a map and your location was a good 2 hours from Manhattan. Otherwise, I would have come by already. 4 hours travel time plus a couple of hours to try basses = the entire day for me. I'd need a serious fun pass from the wife in order to leave her the entire day with our 3 young children on a weekend...

I think you are probably correct that I haven't tried enough instruments yet to make the best choice. Perhaps I'll hold off for now and spend more time visiting other shops, including yours. It just seemed to me that the Tom Martin bass is a good value. I tried a newly-made Italien instrument selling for $35k that I didn't like half as much as the Tom Martin. Even a high end Shen lists for $12k these days.

[Ken Smith]

Originally Posted by Jess Ting

Thanks for the input Ken. Are you available Saturdays? I recall that I looked on a map and your location was a good 2 hours from Manhattan. Otherwise, I would have come by already. 4 hours travel time plus a couple of hours to try basses = the entire day for me. I'd need a serious fun pass from the wife in order to leave her the entire day with our 3 young children on a weekend...

I think you are probably correct that I haven't tried enough instruments yet to make the best choice. Perhaps I'll hold off for now and spend more time visiting other shops, including yours. It just seemed to me that the Tom Martin bass is a good value. I tried a newly-made Italian instrument selling for $35k that I didn't like half as much as the Tom Martin. Even a high end Shen lists for $12k these days.

I have done Saturdays and evenings as well but only when pre-arranged. Just call me directly at the Shop to discuss it. I have two fairly modern Italian Basses (Lombardi, 1981 and Sirleto, 1992) and one English (Lott copy, 2007/8). All of them are currently in restoration getting fixed and getting improved. None of them will reach the 35k mark in my Shop even after all the work is done. I prefer the Basses that I sell be either in tip-top shape or be sold as-is if necessary but with full disclosure of all the work that is needed. I have one old Bohemian Bass that has had restoration work but could use some TLC that I am selling as-is well under the 10k mark. Basses can be so different from one another so choosing which bass is the best deal for you or which shop is the best to deal with if there is more than one that has a bass that you like is not always such an easy decision.

On the prices of Basses you have to take into consideration the 'shop' profit. A 12k Shen might cost 8k in real. 'List' means nothing really. It's just a starting point. Also, shops usually sell mainly consignment basses when it comes to the older ones so the condition is usually how it was delivered by the current owner. Shop owned inventory might be different as they have to power to invest or not invest in their own product restorations. All of the Basses in my Shop are mine so I don't need anyones permission to have repairs done or to set prices.

I can't tell you how many Basses I have bought from shops that needed tons of work that were either privately owned or shop owned. You must know this business and must know basses to make a well informed buying decision. I trust very few people in the buying and repairing game as far as basses go. Just because the car looks pretty on the Lot doesn't mean it's good under the hood.

[Brandon Tuomikoski]

I am sorry about the post on TB. I was part of the fight.

But I am here now and away from the madness at TB.

Here you should get the best answers possible.

Now whoever thought it was a King, was far off from what people here are saying, as did I on TB.


Its a nice bass, and if you have the time and $$ you should try to get it playing again! Good luck!

[Arnold Schnitzer]

Brandon, leave your ego at home. Think hard before you press the "enter" key. It was me who said that bass "looked" like a King. I have already stated this in public (look above). There is nothing wrong with making a guess and not being right, especially when looking at a two-dimensional representation of an object. Brandon, old guys like me enjoy mentoring younger folks, as long as they are respectful and thoughtful in their interchanges. You have already rubbed me the wrong way, but that does not mean I won't try to help you in your quest for knowledge.

[Ken McKay]

It does look like an old King in some ways. I see it too...

Basses are far under-priced for the amount of work involved in making, restoring and maintaining these beasts. Prices are rising as a trend but still very low compared to celli and even violas.

We are lucky to have top notch restorers like Arnold and others, Jeff Bollbach, and a Nick Lloyd, in the mid-west and eastern USA and the few scattered throughout the rest of the country.

You want to injure yourself? Buy a bass from Craigslist (not you Jess) with a poor set-up and play it 3-9 hours a day!

Professional bass players know the value they have in a good luthier and are willing to pay.

To anyone even thinking about spewing some nonsense,

Respect goes a long way! I want to hear what Arnold writes, here and elsewhere. Please don't test his "saintly" patience by soliciting opinions or collecting things to corroborate your opinion. We need him!