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#1
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I actualy meant "light". To my ear the Jazz bass sound lacks some of the fullness and roundness of soaps. That may be different on a KS? |
#2
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anyway.... - T |
#3
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So many variables with tone; wood, neck, pickups, strings, etc. So it could have been something other than the pickups. |
#4
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![]() Not that the tone was bad I just needed more cut.
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#5
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![]() The best way to eq the bass for cut is to cut the mids when you boost the treble and bass. This makes the sound tighter and notched so it cuts thru.
Try that! |
#6
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- T |
#7
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![]() Am I reading or interpreting this correctly? If so and If you are referring to "cut" as the bass' ability to cut through the mix, I would disagree with the above statement (i.e. "cut the mids when you boost the treble and bass") being the solution, sorry. The Mids is exactly what you want in order for the bass to "cut" through the mix. It's not always pleasent to the ears, but necessary in difficult venues.
__________________
Tim Bishop |
#8
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Like I said Ive only had the one Smith bass for a brief time, I did not really give it a chance and Im eager to get another one. But I did refer in my earlier post to looking for a "tighter" bridge type tone as well. |
#9
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