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#1
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#2
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#3
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![]() Another thing I find quite often are uneven set ff-holes and/or f-notches. The same reasons as above apply here as well. The fact that a bass is perfectly even or way off to the naked eye has no bearing on the sound or quality of the bass. It may have a slight bearing on the makers detail or finishing work but I have seen some of the least beautiful and/or uniform old basses that sound amazing. Try overlooking these factors when evaluating a bass. These 'even Steven' details are more for the Judges at a makers competition than a playing Gig or audition. If the unevenness somewhere makes the bass hard to play, then and only then does it become an issue. At that point, if you like the bass, try working around it. I have seen players get up on their toes to play over the fingerboard with some high shouldered basses. Sure, low, even sloped shoulders are more fun to play over and may cut down the stretch or work to play it but if it's the sound you are after, get some high heel sneakers! ![]() |
#4
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I have a question though - what is the definition of a factory carved bass ? I was under the impression that factory basses were basically handmade ,but by a group of individuals and not just one luthier ?? |
#5
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They do have carving machines now for well over 100 years. Carved Tops sometimes have the bassbar looking part left in known as 'integral'. These need to be carved out and a REAL bar made and put in. There are many ways to make a product and run a business. Necks/Scrolls are often supplied to many makers from one single supplier. This is happening even today on more than one level. |
#6
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![]() Personally, i find a little assymetry is beautiful ... and to me a perfectly symmetrical bass outline is rather boring.
Perhaps this is why "factory" basses appear so plain. |
#7
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![]() This bass was made for export in Moscon on music factory called "LIRA"
close to my home(10 miles) Igor |
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