Carbon Fiber Bows

[Anselm Hauke]

i like my arcus bow
http://www.arcus-bow.de/english/63e_bass_prof.htm

[stan haskins]

My teacher uses a carbow as his main bow - I've tried it and liked it, a bit on the bright side for my liking, but I would definitely consider a CF bow as a usable option.

[Benjamin Bates]

Originally Posted by stan haskins

My teacher uses a carbow as his main bow - I've tried it and liked it, a bit on the bright side for my liking, but I would definitely consider a CF bow as a usable option.

I agree the bow is bright. However, coupled with BelCantos my bass sings in a very rich and sweet way.
I like my carbow a lot!

I own a Carbow, but am unsure what you mean by "bright". What do you mean? Wouldn't that be the quality of the hair that gave it "brightness"?

[Jeff Tranauskas]

Does anyone know where the Gage carbon fiber bows are made?

[Ken Smith]

Originally Posted by Jeff Tranauskas

Does anyone know where the Gage carbon fiber bows are made?

I think Gage would be the best to answer then. Probably in Carbonia, Fiberlandia. far far away... or, maybe in China.

I was at Lowes Home Center last week and I looked at a box of something like a Fan. It said 'made in China'. Everything I looked at said 'China' on the Box. I thought for a minute I was in Walmart.

On the Bow thing, I just picked up another Lipkins Bow (my fourth, but have sold two of them). I have a Custom one on the way soon. This will be Sue's 'ONLY' full Sartory model with a Parisian Eye in the Frog. She has made some Sartory models years back but with her regular Pearl Eye. Awhile back, she had to make a new Frog to replace a broken one on an old Sartory. She had to make the tooling Jigs for the special 'Eye' that Sartory used so she will use that to make a one-of-a-kind Lipkins-Sartory. She also mentioned two other things. One, it will be a one-time deal and she will never make another one like it and two, she will take pics throughout the making for my records/website recording all the steps involved in making this special Bow.

I don't think you can get that with a CF Bow, can you? The few I have played which ranged in quality still felt like cold plastic in my hands. A quality wood Bow warms up as you play it. I like the natural type feel of a good wood Bow. That's just my personal feelings about it.

[Benjamin Bates]

Thanks for your reply, Ken.

I feel I'm still a bit new to bows, even though I've been playing with one since 1992. I borrowed a bass and a wooden French bow in my time with the Darwin Symphony Orchestra ('92-'96), I bought my own bass which came with a cheap wooden French bow in Melbourne ('97-'04), then I left my bow on the dashboard of my car and it flew out the window in 2004, so I borrowed wooden French bows from the Darwin Symphony Orchestra which I used up until the beginning of 2006. I then took a lesson from a German bassist in Adelaide who converted me to German bow, and when I returned to Darwin my bass (wait for it........) fell down the stairs when my girlfriend was trying to move it out of the way, so I bought a new bass under the insurance as well as a new German CF bow (Carbow) that cost me AU$1500.

The Carbow now felt amazing to play with, I was very pleased with it. In Darwin we have extreme weather conditions and only two seasons - Wet and Dry. In the Dry I get a really warm sound out of my bow; in the Wet the sound quality is harsh and buzzy. At first I thought it was my technique problems. Early this year I moved down to Tasmania to study with the Principal bassist of the Tasmanian Symphony Orchestra who is a French bow player. He's okay with me staying with the German bow hold, but whenever I have a lesson with him I get a warm sound with the bow because I'll be in a room with minimal humidity; but just recently it has been raining in Hobart so the humidity has started to rise. Thinking that the buzzing came back was due to my technique problems I talked to my teacher, who seemed not to notice any difference because we were having a lesson in a dry room.

But now after reading this forum I'm thinking it may be a mixture of humid weather and the fact that I have a carbon fibre bow. So that's why I asked are you sure it's not the hair quality on the bow? Does the quality of a bow really make a "brighter" sound?

I read these forums with arguments for and against synthetic bows and they all make sense, but what really is the science behind a wooden bow sounding and feeling "warmer" than a synthetic bow?

Please excuse the ramble, but I have been intrigued for a few years now and have never received a straight answer from anyone, violinists, cellists or bassists (I didn't ask any Violists).

[Ken Smith]

First off, you lost one out of a car window and falling down the stairs with another? Gee, I think you might be hazardous to hang out with..lol

I recently owned to great master grade English Bows by Arthur Bultitude both made within two years of each other. I am picking this and another maker to better compare similar bows rather than different ones (apples to apples kinda). The first Bultitude had old black hair and sounded a little bright. After I played it for awhile, it warmed up quite a bit. The Bow had not been used for several years and I was the first owner in USA as well. Truly one of the best Bows I have seen in my life. The second Bultitude came soon after and had year old off-white hair, well rosined and played everyday for a year before I got it. This Bow was smoother and a tad more responsive than the other one. It also had more side camber. Two Bows of similar wood by the same maker made in the same period and each sounded and felt slightly different. Both great though.

The other two to compare are Bows made by Sue Lipkins made within about a year of each other. The one I've been playing for awhile I received just after the 2006 VSA Competition/Convention. This Bow was smooth at first without much bite. After a year of occasional playing (using several bows for various Basses and concerts) it has lost a few hairs, is well rosined and had gained a bit of bite. The second one I just got and sent it up to Sue for a Re-hair as it was also well played for over a year and needed a clean-up. After getting that one back and comparing it, the tone of the stick is about the same as it was with the old hair (from Lipkins as well) but with a new re-hair and more hair than the other Bow, I feel it is not as smooth as it was 2 weeks ago. This one is slightly darker sounding or rather smoother sounding than the other Bow. Both look fairly identical but the feel is slightly different. Both have the exact same white hair of the highest grade available.

Conclusion? Coarser hair sounds brighter or rather more edgy. White or smoother hair in comparison sounds smoother. Cheaper grades of hair regardless of color break faster and give less sound and might sound thinner as well. What the player hears on the Bass is not exactly the same as a listener 10 or 20 feet away. Sometimes a quieter Bow sounds louder and fuller when standing and listening to it being played some distance away from the Bass.

Bows vary in tone as much as Basses do. This is due to the wood and the making combined. CF bows are usually very consistent in materials (within brands and models) and less life-like in the variances. There are all grades of CF and wood bows on the market. Perhaps it's economics paying only about 1/10th the price for a workable CF Bow while the wood Bows I play start at 3k and run up to and over 10k. My old Sartory would fetch 12-15k today and the Frog was believed to be a replacement. THAT was the best Bow I have ever held in my life, hands down!

[Ken Smith]

Originally Posted by Benjamin Bates

I own a Carbow, but am unsure what you mean by "bright". What do you mean? Wouldn't that be the quality of the hair that gave it "brightness"?

I think that means too much treble in the tone! It just doesn't have the warmth of a good wooded Bow.