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Old 02-28-2011, 05:58 PM
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Well, I just thought, a flat BACK plate with wider C bouts would have longer fibres, yes. And you did say this. So perhaps THIS is where your theory is based. But not IMO on the top plate, or a carved back. It's too curvy to have many continuous fibres.
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Old 02-28-2011, 06:17 PM
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Question well..

Quote:
Originally Posted by Matthew Tucker View Post
Well, I just thought, a flat BACK plate with wider C bouts would have longer fibres, yes. And you did say this. So perhaps THIS is where your theory is based. But not IMO on the top plate, or a carved back. It's too curvy to have many continuous fibres.
I don't know. It's getting confusing. The Cornerless has a sound to die for and the Copy will get there in time and IT has corners with a round back. The only close copy part is the Scroll and the Top with the exception of the corners.

So, I will go to sleep tonight not worrying about this theory or science at all. Why, I have the bass to play on and for whatever reasons (if none that I've mentioned), it's one of the best sounding basses money can buy.
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Old 03-01-2011, 03:49 PM
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Lightbulb if interested..

On the Spanish family Guillami of 2 or 3 generations my C.Stainer book (over 100 years old dated 1/11/95 on the back) was a reference; "GUILLAMI, Spanish family of Violin-makers, about 1680-1780." This reference by date includes J.B. , the eldest listed maker also listed by Henley.

Just now I found a link on line listing Italian makers and found the exact same quote, obviously copied from C.Stainer.
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Old 03-09-2011, 01:11 PM
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Thumbs up and just found this..

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Old 03-09-2011, 04:10 PM
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Such flat arching on that bass Edicson Ruiz is playing!

Also you get a bit better look at the other bass here http://www.youtube.com/watch?v=kq5Vm...eature=related
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Old 03-09-2011, 04:33 PM
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big pictures of edicsons bass you can see here:
http://www.edicsonruiz.com/en/gallery.php

(also pics of the threestring version)
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