![]() |
|
|
|
#1
|
||||
|
||||
|
This I have heard was on occasion when they needed to tune down a step. I think it came a bit later but seeing the visiting Orchestras from germany with 4 strings and later some with 5 changed England to 4s towards the end of the century. There were still 3s in England into the 20th century.
Northern England early on used 4 strings as my Tarr #8 from 1829 is a 4 with the original plates and gears. This was made for the Gentleman's Orchestra in Manchester which became the Halle around 1859. London was mainly 3-string around the same time. Later on they mixed 3s and 4s in the same Orchestras. The 3s were louder and the 4s played some passages lower. I think Italy went both 3 and 4 in 4ths back then. |
|
#2
|
|||
|
|||
|
Wow, I didn't realise there was so much variety. I get the GDG thing. Like dropped D only on a ADG platform.
Why were the 3 strings louder? |
|
#3
|
||||
|
||||
|
Less pressure on the belly. I tried this with a 5er before removing the low B. The bass had more sound as a 4. Probably the same with 3 as the bassbars were smaller in those days.
|
![]() |
| Currently Active Users Viewing This Thread: 2 (0 members and 2 guests) | |
|
|