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  #1  
Old 12-17-2013, 01:40 PM
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Quote:
Originally Posted by Carl Egbert View Post
http://www.smithbassforums.com/showthread.php?t=2193

I asked for opinions on the possible origin of this bass about 16 months ago; the conclusion that a few people came to was "probably German." I've taken the instrument to several luthiers since then, and they've all said "probably French." However, the bass had to have many cracks repaired and a new bass bar put in after a little accident (thank god for insurance) and this label was discovered when the top was taken off...


http://imgur.com/BRLvAte

So maybe it is American, same period as thought German or French and the wood on the back of all 3 basses do look slightly American, broad flamed Sugar Maple. Like Prescott and others had access to back then. So it might be a Baker. The one in the Elgar book only shows the Top, not the back.

Baker worked for Asa White in the beginning and then went out on his own eventually. if it says Baker, then it is Baker, not White. If so, it brings to close the mystery or 3 basses but, I think that the one I saw at Arnold's was the same bass from Chicago, just removed from there at that time. That makes it 2-basses, not 3 of this pattern.
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Old 12-17-2013, 02:14 PM
Carl Egbert Carl Egbert is offline
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Another possibility is that it's a factory French or German instrument that Baker imported and put his own label on.
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Old 12-17-2013, 04:36 PM
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Quote:
Originally Posted by Carl Egbert View Post
Another possibility is that it's a factory French or German instrument that Baker imported and put his own label on.
I doubt that. The wood looks like domestic maple, similar to other Yankee basses. Imports would not have carvings like that in the button. Never seen one.
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Old 12-17-2013, 02:17 PM
Carl Egbert Carl Egbert is offline
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Quote:
Originally Posted by Ken Smith View Post
If so, it brings to close the mystery or 3 basses but, I think that the one I saw at Arnold's was the same bass from Chicago, just removed from there at that time. That makes it 2-basses, not 3 of this pattern.
Michael Cahill showed up in the last thread with pics of his own bass, so his + mine + the Chicago one make 3 total. I would be curious to know if the other two have the same label... might be time to send out some emails. The one in mine was extremely faded, as you can see from the picture, which is why I never knew it was there until the top came off.
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Old 12-17-2013, 04:38 PM
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Quote:
Originally Posted by Carl Egbert View Post
Michael Cahill showed up in the last thread with pics of his own bass, so his + mine + the Chicago one make 3 total. I would be curious to know if the other two have the same label... might be time to send out some emails. The one in mine was extremely faded, as you can see from the picture, which is why I never knew it was there until the top came off.
I think the Chicago bass was Michael's. That makes two then, his and yours. I don't think a label was in there. Michelle and Arnold combined would have found it.
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Old 12-18-2013, 09:17 AM
Michael Cahill Michael Cahill is offline
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Default Nope, there are three

I stilll have mine and I think the third is still in Chicago. As far as I know, there's no label in mine. Carl's bass does not have outer linings but they look like cousins if not sisters, to me.
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Old 12-18-2013, 10:12 AM
Carl Egbert Carl Egbert is offline
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It's entirely possible that my bass used to have linings that were removed at one point. Not all of its ribs are original.
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Old 12-18-2013, 10:51 AM
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Originally Posted by Carl Egbert View Post
It's entirely possible that my bass used to have linings that were removed at one point. Not all of its ribs are original.
If the linings were removed then there would be a clear shadow all around the ribs. Also, the plates would be sticking over the ribs about twice as much unless it was made flush with no overhang. I do not see that in the pictures.

Michael, the bass from Chicago is no longer listed. I thought your bass was that same bass.
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Old 12-18-2013, 11:48 AM
Michael Cahill Michael Cahill is offline
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Quote:
Originally Posted by Ken Smith View Post
If the linings were removed then there would be a clear shadow all around the ribs. Also, the plates would be sticking over the ribs about twice as much unless it was made flush with no overhang. I do not see that in the pictures.

Perhaps the builder decided to do without the linings on Carl's and not mine or the other.

Michael, the bass from Chicago is no longer listed. I thought your bass was that same bass.
Michael Hartery sent the link to the Chicago bass after seeing mine in person. So, that one is sold or off the market but there are three or maybe even more. Maybe we can meet sometime for a group photo.
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Old 12-22-2015, 10:45 PM
Michael Cahill Michael Cahill is offline
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Default Maybe there are 4?

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Originally Posted by Michael Cahill View Post
I stilll have mine and I think the third is still in Chicago. As far as I know, there's no label in mine. Carl's bass does not have outer linings but they look like cousins if not sisters, to me.
Here's another without the outer linings but with the button.

http://www.befr.ebay.be/itm/1870s-Ca...wAAOSwAYtWJZzP
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Old 01-12-2016, 11:27 PM
Carl Egbert Carl Egbert is offline
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That one is pretty much identical to mine, down to the label, although that one is in better shape and appears to be 100% original. Assuming it sounds as good as mine, whoever paid 5k for that got one hell of a deal.
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Old 01-22-2016, 05:35 PM
Shawn Charniga Shawn Charniga is offline
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I have much, much better pictures of that bass pre-"restoration." The photos in the eBay ad are deceiving. The seller is not a musician; his late mother bought the bass from her teacher 50+ years ago.

Serious belly sinkage, paper-thin edges on the top plate, ribs spiderwebbed with old cracks, 1/8" back seam separation from drying out in a closet for decades (gotta love air conditioning) and a partridge in a pear tree. Oh, and one of the four machines is not original if you look closely. The best thing I can say about it was that the neck was straight, and the maple was beautiful. If you look closely at the label photo, whoever worked on it didn't bother to replace the center seam cleats when they jammed the back plates together and slapped them onto the ribs. It's barbaric.

I was in the bank lobby ready to do the wire transfer to the owner's account while I was texting with my buddy in Florida, who was going to pick the bass up and hold it for me. I knew it was rough, but when the photos started coming in showing the extent of its' problems, I called the seller to bawl him out.

The seller cracked and admitted that he got a $5k repair estimate several years prior, but kindasorta forgot to mention that to me. He was desperate for cash, because he needed to pay a fine to settle a legal beef and leave the state. I told him to screw, kept my money and ended up with a beautiful Solano. There's more shadiness to the story, but that's the meat of it.
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