Simba.. (SOLD)

[Ken Smith]

Originally Posted by Matthew Tucker

my thoughts are that although I understand why you'd want to do it I think an extension on a lionhead always looks sad.

I haven't yet seen a lions head stuck up against the black door-jamb that in any way enhances the elegance and royalty of the carving.

if I had to do it I would try to ensure that the ebony was as minimalist as possible with plain fittings and screws so as not to detract from the carving with bling.

on jeff's lionhead I think I would try to use wood the same finish as the head , with just a slim ebony cap. to make it look as if it was done like that from the start.

them's my thoughts.

Interesting Matt. The problem is that basses in this range are made for Orchestra players. It is a fairly big bass, not a 3/4. Everytime I go to an Orchestra rehearsal or concert I need a C-extension for at least a note or two if not more. In selling basses, the thought of "can I put an extension on this bass?" comes up and the sale falls thru. My other Lion bass sat for over a decade in Europe un-restored and un-sold. After a restoration, a USA/Smith style set up with Arnold and a C-Extension, the bass was Orchestra worthy. It sold in a snap and that was a bass I planned on keeping!

The Bollbach Lion has a great sound, deep and powerful. It is Leon Bosch's choice bass to use when in the states over my former Fendt/Hart and Marconcini, two Great OLD basses. The new owner of the Hart is thrilled and the Marconcini (a 3/4) is now getting a C-Extension. Another bass I cannot use unless it has one. I have tuned down on a few basses just to use a particular bass but the Extension is the thing now. Gotta have one. The Lion WITH an extension will get more play now and more appealing as well as it can be used for everything. So, the artistic viewpoint and the players viewpoint are not the same. Consider all the great old Italian basses that would be unplayable if they had not been cut down as well as some French, English and German basses. They would sit and fall apart never to be used again. Or, modify them to be played and loved again.

[Jeremy Darrow]

This is a really lovely bass. Clearly the extension will make it a more usable bass, which is good. Putting a hole in the head seems too invasive for such a special demonstration of workmanship, though. My $.02 is I would use a 2nd wheel on the extension to avoid running the string through the scroll.

[Ken Smith]

Originally Posted by Jeremy Darrow

This is a really lovely bass. Clearly the extension will make it a more usable bass, which is good. Putting a hole in the head seems too invasive for such a special demonstration of workmanship, though. My $.02 is I would use a 2nd wheel on the extension to avoid running the string through the scroll.

Yes, 2nd wheel it will be. Plenty of room on the extension piece for the extra wheel.

[Ken Smith]

Last night I took out the Pallotta Lion (made by Jeff Bollbach) to a rehearsal. The main reason was to test it a little bit more before sending it back to Jeff for a C-Extension. It would be made with a double wheel and no hole thru the head, with the extension form fitted over the Lion.

Last night, between stops from the conductor my stand partner tells me how good the bass sounds and well I was playing it. He has heard me play over 15 different basses in 4 different orchestras over the last 4 years.

Today, out if the blue he calls me to tell me specifically how well the Bollbach fit me in playing and sound last night and reiterated he was only calling me for that reason. He asked if I would keep that Bass as my personal one going forward. I replied.."Maybe" .. We were playing Sibelius 2, which I had played about 4x in 4 other orchestras in the last year. So I asked, "was it maybe because I knew the piece from just playing it 4x last year?"