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  #1  
Old 11-08-2015, 10:52 AM
Eric Hochberg Eric Hochberg is offline
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Quote:
Originally Posted by Tyler Bolles View Post
Is this the same one in Chicago for $25k? http://caravanguitars.com/product/lo...late-1800s-34/
Could be, the upper rib on the one I checked out has a rectangular patch inlay. I also remember it being more yellow/blond in color.
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  #2  
Old 11-09-2015, 05:54 AM
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Ken Smith Ken Smith is offline
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Question ??

25K for a plane-jane Gamba Bohemian style German bass? I don't think even the better looking Violin models have brought that much money.
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Old 11-09-2015, 09:37 PM
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Ken Smith Ken Smith is offline
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Cool a Bass by Louis Lowendall (1842-1918)

I have a beautiful violin shaped model here now made in 1910. Stamped in the back of the Peg box;
-----------------------
Lowendall's

Grand
Concert
---.----
(design there)

Stradivarius
-----------------------
This is a 7/8ths (or 4/4 size of its time), 'BERLIN' stamped in the upper back button. Beautiful reddish brown varnish (the red well faded), 41 7/8" string length with a grafted neck, original scroll and gears with slight scars from a previous mechanical C-Extension. Wide lower bouts (28"), deep ribs (8 5/8") w/outer linings, slightly sloped shoulders and easy to play. Well arched round back tapered in the upper bout towards the neck, ribs are 6 1/4" wide at neck. Well flamed maple throughout with fine-medium grained spruce top. Deep warm tone with good projecting power.

This looks to be the real deal from its period, a professional orchestra bass. For more information on L. Lowendall and his son Louis Jr., read this article from the 1893 exhibit in Chicago.
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  #4  
Old 11-28-2015, 12:45 AM
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Ken Smith Ken Smith is offline
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Thumbs up after the test on a few gigs..

The Lowendall impressed me so much and in many ways, that I have decided to put it thru a full restoration. I dropped it off at AES in NY last Saturday. It will then likely become my main personal bass. In the mean time (4-6 months), I am using my Pollmann.
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