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#1
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![]() I don't know if there is a measurable benefit. But I certainly plan to give it a try. I don't think there are any available on the market, strictly a custom deal. When I get a few minutes (wife breaks into uproarious laughter), I'm going to turn a few plugs and endpins of different wood species and see what's what.
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#2
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![]() doesn't anyone have any pics from the showroom, or was that not allowed?
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"Instead of grabbing land or oil, today's corporate barons are seizing control of culture."-Bob Ostertag |
#3
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![]() I have used a wooden endpin made from a drumstick on one of my basses with the result being a darker sound with a less punchy and defined pizz attack than with the aluminum endpin I usually use. I prefer the aluminum for the jazz work I most often do. Maybe some would prefer the darker sound with the wood pin for classical/arco playing.
Robertson's and George Vance offer wooden Laborie/Rabbath style endpins. |
#4
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![]() I substituted a 5/8" birch dowel and crutch tip for my aluminum pin once. The tone was much as you experienced. It was certainly warmer but not necessarily better.
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#5
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![]() It seems to me that a rubber crutch tip would negate any floor coupling advantage that an all wood endpin would give.
I remember when most new basses came equipped with wood sockets and pegs instead of adjustable metal rods commonly used today. I think I've still got one of the old all wood endpins I replaced in my junk drawer. The peg has a tang on the top end which was turned on a lathe to fit in a tapered hole in the socket and has a ledge so that the top of the peg butted against the bottom of the socket. The pegs usually were about 1 1/2" in diameter where the peg rests on the socket and it tapers down to less than an inch at the bottom (floor). The tang which fit in the socket are maybe 1/2 at the large end.
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95% Retired Midwestern Luthier |
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