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#1
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Try playing some of the Beethoven parts or even Mozart. At that point you are working twice as hard as the Cellos. Longer and thicker strings with a bigger body and heavier bow. Jumping octaves with the Bow would actually be more awkward I think especially for the left hand. In Jazz, you can play any note you like moving the line around. In Classical, you can't. It is 'Jail' as far as that is concerned. A Bass tuned in 5ths to Low C is just another method of avoiding playing a 5-string Bass. I think! |
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#2
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I just pulled up a page from Joel Quarrington's website. Have a look at it and lets talk about this some more.
Currently as of an hour ago, I have two Basses in the shop tuned in 5ths using the regular strings for experimental purposes only. They are my Batchelder with Superflexibles and a Corsini with Helicore Orchestra Strings. |
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#3
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I just emailed Joel and then found his FAQs which answer some of my questions..oops!
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#4
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I have read through Joel's site extensively. For more thoughts from pros using fifths tuning, check out:
http://www.silviodallatorre.com/ http://www.dennismasuzzo.com/ Masuzzo has a method book out (one of, if not the first for fifths tuned bass) which I'm told is great but fairly elementary. Joel is working on one which he tells me is close to being ready. Just curious, did you tune the E down to C or put a different string on? G up to A can work but is really tight, and A down to G is usually not too floppy. |
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#5
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I have played in 4ths for 42 years. I have 4-string Basses with and without GREAT working C-extensions and I have a 5-string Bass that plays easily and has a Huge sound. Probably my loudest Bass presently. For me, it's 'fourths' all the way with or without an Ext. or 5er. By the way, many players have worked their entire life in a professional Orchestra with only a regular 4-string, no Ext.! 'Old dog, NO tricks.. ![]() ![]() |
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#6
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Is Dalla Torre also tuning his Orchestra bass, (the Grancino?) in 5ths as well? |
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#7
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He sure is. He wrote me back very promptly as well and invited me to a masterclass he's giving in August. Unfortunately the registration deadline is passed, tuition is reasonable but money I don't have, and I probably couldn't get the day off work anyway.
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So reading about you taking your std tuning set up and down to achieve a crude CGDA tuning, I did this just for a few minutes tonight so that I could see how both sight reading and reading a familiar piece went. Not too bad I found... I played the tricky spots from the Trout quintet which I'm preparing for a performance in a couple weeks. There was indeed a little more shifting, but mostly short ones that could be pivots. Not too many bad notes Sight reading was not quite as great, but better than expected, so I'm really feeling good about the reading part of re-learning anyway. All that's left is to find a good teacher and the right set of strings (I think I'll go with Joel's preferred Dominants with Spiro low C, at least at first). |
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#8
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This 5ths thing is something serious to look at but it is not a casual one at all.! |
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