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#1
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![]() I agree entirely! My point was not that we shouldn't tune in fourths, but that we shouldn't get sucked into that Simandl/play everything in the lowest position possible/etc system which is very limiting. This is independent of tuning, but fifths both forces you to be conscious of the left hand/requires facility, and also offers other things (contra C without an extension, favourable intonation for some people)
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#2
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![]() two years ago, i began studying with andrew downing - i was practicing in fifths and still gigging in fourths. it didn't make any sense. so, about 6 months in, i made the decision to go fifths full-time. i have been tuning in fifths since then. let me tell you that my bass has never sung so nicely, with a cello-like voice. being a really big guy (6'8") i find moving around on my 4/4 bass to be relatively easy, although, i must admit that i'm always looking for a 5/8 bass to totally shred on. i can't say enough good things about tuning in fifths...just give it a year, if you're going to give it a shot because you need that time to really get it under your fingers.
one problem with this tuning is that the concerto rep is really much more difficult to play - if anyone has any suggestions for concertos that work well in fifths, that info would be greatly appreciated.
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music is taste - aesthetics -not esthetics. http://www.reverbnation.com/tomassbouda |
#3
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