The 5-String Double Bass

[David Powell]

Well, I'm afraid I've become a 5-er guy for life. I'll just have to put up with the infrequent unintended double stops. I'd really miss the low string and the way it plays just like all the others. Theres just nothing like dropping down that extra octave to C or D or B or even the Eb in the jazz ensembles. I don't know if I would ever go to more than 5, but 5 seems more and more comfortable now that I'm using them on all the basses. I do think it would be quite confusing trying to switch back and forth unless I just spent all day everyday switching basses. Back to practice .....

[Ken Smith]

Originally Posted by David Powell

Well, I'm afraid I've become a 5-er guy for life. I'll just have to put up with the infrequent unintended double stops. I'd really miss the low string and the way it plays just like all the others. Theres just nothing like dropping down that extra octave to C or D or B or even the Eb in the jazz ensembles. I don't know if I would ever go to more than 5, but 5 seems more and more comfortable now that I'm using them on all the basses. I do think it would be quite confusing trying to switch back and forth unless I just spent all day everyday switching basses. Back to practice .....

I hear you loud and clear about the double stops. That was a major problem for me and sometimes just a single stop but missing by a string..

Last night I took out one of my Excerpt Books and tried one of the Brandenbergs' using a 4-str w/Ext. It was much easier playing it with only 4 strings and the open 'C' but when I had to quickly hit a D or Eb and jump into a run a string or two up it wasn't so easy. Hitting a shorter sounding quarter note or eighth is not so bad jumping back on the extension but missing the string entirely and playing a completely wrong note is much worse I think.

Now I am working on the Storm parts with a CD to play it up to speed. Again, when not playing below the E, I don't have that 'B' pushing the other strings further away from me of have confusion of which string I'm on or the occasional Dbl Stop mistake.

Also, I've done a few Jazz gigs and playing some Lows on the Extension when wanted is much easier then playing them when written!

[Paul Warburton]

Originally Posted by Ken Smith

Also, I've done a few Jazz gigs and playing some Lows on the Extension when wanted is much easier then playing them when written!

You always make it sound like jazz players don't have to deal with as many probllems as classical players and I think your right.

[Ken Smith]

Originally Posted by Paul Warburton

You always make it sound like jazz players don't have to deal with as many problems as classical players and I think your right.

Well Uncle Pauly, I too am a Jazz player as well BUT my whole purpose of getting or rather trying the 5er was for playing Classical Orchestra Music.

I don't know if Classical players have more problems with a 5er like mentioned above but being that we play mainly with the Bow and 100% what's written on the page, I would venture as far as saying that Classical players have different problems..

[David Powell]

As a jazz player and mostly classical listener, I think the classical players have a huge challenge in making the music their own. With jazz it kind of starts as "your own" in the ideal world.

I will admit experiencing a certain sense of satisfaction after having come back from an annual festival that features diverse music and players and out of 4 DB players there, I had the only large 5-string. No-one had extensions. We were covering Chitlins Con Carne and bouncing down to that low C after a couple of choruses in the higher octave and hearing it reverberate across the stage and out to the audience;- no matter what the other players could do, that moment belonged to me. I think it might have scored lowest note played at that festival, unless some keyboard went a step lower. And I played all of Foot Prints arco, again using the lower G on the B string as the pickup to the head instead of the higher G. That's a dark foot print.

Paul, it was you and that Bohmann that did this to me. And I thank you!

[Paul Warburton]

Originally Posted by David Powell

As a jazz player and mostly classical listener, I think the classical players have a huge challenge in making the music their own. With jazz it kind of starts as "your own" in the ideal world.

I will admit experiencing a certain sense of satisfaction after having come back from an annual festival that features diverse music and players and out of 4 DB players there, I had the only large 5-string. No-one had extensions. We were covering Chitlins Con Carne and bouncing down to that low C after a couple of choruses in the higher octave and hearing it reverberate across the stage and out to the audience;- no matter what the other players could do, that moment belonged to me. I think it might have scored lowest note played at that festival, unless some keyboard went a step lower. And I played all of Foot Prints arco, again using the lower G on the B string as the pickup to the head instead of the higher G. That's a dark foot print.

Paul, it was you and that Bohmann that did this to me. And I thank you!

You're most welcome....due to finances, i'm selling the Bohmman. Any takers, Kenny- Boy?

[Ken Smith]

Originally Posted by Paul Warburton

You're most welcome....due to finances, i'm selling the Bohmman. Any takers, Kenny- Boy?

Just when I thought 'me and 5-strings' were 'Oil and Water'.. Ok, ok.. Make me an offer I can't refuse!