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  #1  
Old 02-16-2008, 12:07 PM
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Drake Chan Drake Chan is offline
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That's a ridiculously small upper-bout! Or is it a ridiculously large lower-bout? Whatever; it's a really pretty and unique-looking bass.
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  #2  
Old 02-17-2008, 12:00 AM
Calvin Marks Calvin Marks is offline
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hehe, the upper bout is small 18.5 inches across...the lower bout is about 29"
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Old 02-17-2008, 07:32 AM
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That's just beautiful maple ... is yours going to have the same quilt?
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Old 02-17-2008, 10:20 AM
Arnold Schnitzer Arnold Schnitzer is offline
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Weird shape...
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  #5  
Old 02-17-2008, 02:59 PM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Arnold Schnitzer View Post
Weird shape...
Ouch, well it's certainly not "normal" but then again neither is my build when it comes to being a "bass player." I've seen a lot of instruments shaped like that, it's really just a variation on Quinoils, the Pollmann Salzburg and Alexandria shapes. It sounds really good so that's what I care about the most.
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Old 02-17-2008, 04:25 PM
Calvin Marks Calvin Marks is offline
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The 42" string length really powers this thing, it sounds incredible and I might get the upper bouts beefed up a bit. It's set-up in a way that caters towards a small person so that's what I need...and Don is a great guy and great luthier who was very accommodating in price.
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  #7  
Old 02-17-2008, 06:31 PM
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Cool Shape...

Well Unless you are playing more notes in the 2nd octave doing Violin Solos and not Playing in an Orchestra I don't see the need to chop the upper bout so much and possible sacrifice the Bass sound of the instrument.

I saw a fancy solo type Bass (I won't mention the maker but someone from Canada) being played in a small room at a VSA show. I was in the middle of the room and could barely hear him playing. Pretty Bass, great workmanship.. but no sound.

I have several Basses with the Bouts +/- 20" and not as much slope with the exception of maybe my Loveri and Cornerless. Those are big Basses though with plenty of sound. I can reach the bridge on most of my Basses if I need to but most of what I play is under the first octave. So, why bother unless you own several other Orchestra Basses and this one is just a Solo Bass for that once in a while time.

I saw Bill Blossom (NY Phil) play the Bach Solo Violin Concerto on Jeff Bollbach's #2. A twin Pallotta model to the Lion Head but with a flat back. He had no trouble playing end to end on that Bass and had plenty of sound even down to the C-Ext. He also uses that Bass in the Orchestra so a dual purpose Bass is more worth it in the math sense.
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Old 03-12-2008, 09:53 AM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Arnold Schnitzer View Post
Weird shape...
The Upper Bouts are 19" and the lower are 28", if you scaled the lower bouts down to 26" and had less slope on the upper bouts it wouldn't look "weird." By the way, this was the best sounding bass I've ever played and Ed Barker just got the exact same bass.
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  #9  
Old 03-12-2008, 06:41 PM
Arnold Schnitzer Arnold Schnitzer is offline
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I know Don Gorman, I like him, and I think he does nice work. The shape of the bass does not appeal to me and I am entitled to my opinion that it is a weird shape. I also build basses with a weird shape, so my comment is not inflamatory. Now if you scaled down the lower bout and changed the shoulders as you suggest above, you would have a completely different bass, so what is your point? I just personally do not have an affinity for basses with exaggerated upper-to-lower bout relationships.

Calvin, you had better get used to people disagreeing with you and having different opinions on aesthetics. You are in the arts after all, where no one type of music, or painting, or dance, is everybody's cup of tea.
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Old 03-12-2008, 10:59 PM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Arnold Schnitzer View Post
I know Don Gorman, I like him, and I think he does nice work. The shape of the bass does not appeal to me and I am entitled to my opinion that it is a weird shape. I also build basses with a weird shape, so my comment is not inflamatory. Now if you scaled down the lower bout and changed the shoulders as you suggest above, you would have a completely different bass, so what is your point? I just personally do not have an affinity for basses with exaggerated upper-to-lower bout relationships.

Calvin, you had better get used to people disagreeing with you and having different opinions on aesthetics. You are in the arts after all, where no one type of music, or painting, or dance, is everybody's cup of tea.
I agree with you that it is not the most conventional shape, I have no issues with anyone telling me that, but I don't think you have to use the word "weird." It certainly doesn't make me feel that great and I don't know what it does for you? Everyone is entitled to their opinion and I'm definitely welcoming feedback but I don't know why you would criticize the design while in reality it looks very much like a French bass with a slightly larger bottom. Once again, you're completely entitled to your opinion, and it's obviously a very valid one since you're a masterful luthier. All I'm saying is that for a student (like myself) who is laying down every penny I have it's not exactly the kindest thing to mock my investment. I personally don't think you would call this instrument "weird" to Mr. Barker's face.
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  #11  
Old 03-12-2008, 10:43 PM
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Quote:
Originally Posted by Calvin Marks View Post
The Upper Bouts are 19" and the lower are 28", if you scaled the lower bouts down to 26" and had less slope on the upper bouts it wouldn't look "weird." By the way, this was the best sounding bass I've ever played and Ed Barker just got the exact same bass.
If this is the best ever then maybe you should try some old Italian and English Basses. Those are the best I have ever played. My Storioni is the overall best to date so if this guy can make a new Bass that sounds better than that, then I will be calling him yesterday.

Your Bass looks nice by the way. My cut Loveri is not too far off from your bass. Upper and Lower bouts are 19 1/4" and 27". The Top to the tip is 44 1/2" and the Back over the button is 46". It too is a great sounding Bass but, it doesn't compete with the likes of a Storioni or some other master grade Italian or English orchestral Bass.
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  #12  
Old 03-12-2008, 11:01 PM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Ken Smith View Post
If this is the best ever then maybe you should try some old Italian and English Basses. Those are the best I have ever played. My Storioni is the overall best to date so if this guy can make a new Bass that sounds better than that, then I will be calling him yesterday.

Your Bass looks nice by the way. My cut Loveri is not too far off from your bass. Upper and Lower bouts are 19 1/4" and 27". The Top to the tip is 44 1/2" and the Back over the button is 46". It too is a great sounding Bass but, it doesn't compete with the likes of a Storioni or some other master grade Italian or English orchestral Bass.
I'm only a student so I've never had the opportunity to play a "great master" bass, all I'm saying is that for a modern instrument (which I'm lucky to have a lot of experience playing on) this one to me sounds the best. I'm not doubting that a seasoned english or italian orchestral bass will sound better. I just don't think people should write off a bass with more progressive dimensions that cater towards the players body.
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  #13  
Old 02-17-2008, 02:58 PM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Matthew Tucker View Post
That's just beautiful maple ... is yours going to have the same quilt?
Ya, it's really a gorgeous wood eh? It sounds fantastic too.
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