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  #1  
Old 06-05-2008, 07:10 PM
Calvin Marks Calvin Marks is offline
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Originally Posted by Ken Smith View Post
Never tried them but I am looking for regular Orchestra Strings, not any specific 'period'. I have the Chordas on a Bass now and they are not so easy to play. I start rehearsals next week and 2 concerts after that. From the looks of it now, the Guts may not make it to the show!
IMO Chorda's work better for jazz playing. Pirastro claims that they're an "authentic period instrument string" but I disagree...anything by Damian Dlugolecki or Aquila puts Chorda's to shame in every category. I don't think you'll find anyone playing in a section using pure gut strings today...I've seen a lot of section bassists use Eudoxa's and Olivs, but let's be honest...A Eudoxa is close to that good old beefy gut sound but it's no cigar for bach, handel, vivaldi, telemann. I take it you've tried Olivs Ken? These might be a good match for symphony playing, they blend well with steel and still have an attractive gut sound...kinda the best of both worlds.

If I can be completely honest with you, I have on my bass now a Eudoxa A, tuned to 415, I recently swapped it for a Dominant and the Dominant matched the unwound guts on top better. I really found there to be a huge gap in sound between natural gut and Eudoxa's/Olivs.
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Old 06-09-2008, 12:01 AM
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Ken Smith Ken Smith is offline
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Lightbulb Chorda's initial review..

Ok, I put the Chordas on a few days ago and they are no where near being settled in yet. Each day I tune them up about a half step as they seem to keep stretching.

They are on the thick side comparing them to the Labellas from what I can remember. They bow well on the G and D and pizz great. I put one coat of gel varnish on the plain G/D but I can't say if its better with or without having not tried them before hand.

The A plays better both Arco and Pizz than the E but I can't say that I have an optimum set-up with the Guts as far as the Bridge goes. The Nut (seems to be original) looks as if it was cut for Guts originally but I doubt the Bridge is original.

Tomorrow, Phil (Uncle Toad) will be 'In the House' for the day trying Basses so I will make sure to get his opinion on these strings.

For now as far as playing in an Orchestra I cannot see any advantages overall for playing on Guts. The top strings sound great and loud. For Pizz they have a nice thick 'pump'-type sound but the E seems weak or at lease hard to play and the A is just 'ok' nothing to write home about.

The Bass I am testing them on is a 1981 Italian Bass by Lombardi. The FlatBack and wide Ribs are made from plain type Poplar. The Top is a low arched flatsawn local type Fir or Pine. The String length on this 3/4 Bass is 41 1/2".

The test bass (Lombardi) is generally quite loud and slightly bright sounding as far as presence goes but not at all thin sounding. I thought this would be a good Bass for the test. I will let Phil throw in his 2 cents on it if he feels up to it.
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  #3  
Old 06-17-2008, 11:17 PM
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Ken Smith Ken Smith is offline
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Lightbulb Chordas in use..

Ok, if anyone's still listening.. I did a rehearsal last Thursday night and Saturday morning with the Guts. After the Sunday Concert (the first of two Concerts), I questioned the other Bassists in the section and they think the Guts did just fine. Plenty of Pizz and Arco switching in this program especially in the 'West Side Story'. Steels would be better for some things but not all around. The Guts are way easier on my fingers for the Pizz. Also, we are playing outdoors so you don't hear the Bass coming back to you off a wall like in a regular indoor venue.

Tonight we did the second Concert at another Park and used the same Bass and strings. It was about the same results as Sunday (Fathers Day).

Although these may not be the best Guts for this Bass or for me on any Bass for that matter, I felt they had to be tested in action before passing judgment. I just wish I had a program to use the LaBellas on awhile back as I only played them in the office. Hopefully soon, I will test another set from them and try it on at least one Concert this time.

I am waiting for Labella to make me an Ext.E/C which I was told was possible. Then I will give it a better try the 2nd time around. Actually, I think I liked the Labella Guts a little more than the Chordas but it was well over a year ago and it was a different Bass as well. Not the best way to compare but it's all I can remember.

On the Lombardi Bass I had to move the Bridge up closer to the Fingerboard to raise the string height (after I set the sound post) because it was just too low and doesn't have any adjusters. I might just have Arnold make me a new Bridge soon without Adjusters for now and keep the Guts on this Bass. Moving the sound post closer to the Bridge (or vise versa actually) should probably help with a bad Wolf I have on the A-string. Also, making the string length longer (or where it should be) should help as well. Still, with all the 'fudging', I still enjoyed this experiment to date.

Also, I have been told that lighter weighted Basses are better candidates for Gut strings than heavier Basses. The Lombardi feel light in comparison to my other Basses so that's one of the reasons I picked it for the test.

Either way, it has been fun playing on these Guts for the last week in action. These Chordas are well made professional strings. Having very little to go by I can't say much more about them other than they sound nice and fat, like they look.. lol
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Old 11-13-2008, 12:53 AM
Pete George Pete George is offline
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Default Glessner Guts

I think I'm going to try playing a set of the Genssler guts in my orchestras.

He makes almost anything you'd want, including a long C.

Not having played guts at all in about four decades, I'm going to go first with the wrapped guts. If that works, I'll probably go to unwrapped (D and G, anyway) the next time I re-string.

These will go on my Arvi, which is about six years old, but with a pretty dark, full sound.

I'll report back if anyone is interested.

Last edited by Pete George; 11-13-2008 at 11:17 AM. Reason: Spelling.
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Old 11-13-2008, 09:24 AM
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davidseidel davidseidel is offline
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Default Glessner or genssler?!

I guess you mean Gerold Genssler? He made the original Velvet Strings quite a few years back when they really were Gut core. I had some prototypes and they sounded and played beautifully......
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Old 11-13-2008, 11:17 AM
Pete George Pete George is offline
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I guess you mean Gerold Genssler? He made the original Velvet Strings quite a few years back when they really were Gut core. I had some prototypes and they sounded and played beautifully......
Well yeah.
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