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  #1  
Old 12-18-2010, 06:36 AM
Geoff Chalmers Geoff Chalmers is offline
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Hi Ken.
Congratulations! I've really enjoyed the thread. you are a lucky guy owning such a quality bass.
Cheers Geoff
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Old 12-18-2010, 08:55 AM
Adrian Levi Adrian Levi is offline
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When do we get to see a whole LOT of pics of this bass ???
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Old 12-18-2010, 01:45 PM
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Eric Swanson Eric Swanson is offline
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The Hart as a "backup" bass?!

This new instrument must simply be incredible. Many happy congratulations to both you and Arnold.
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Old 12-18-2010, 05:53 PM
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Ken Smith Ken Smith is offline
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Thumbs up the beginning...

Thanks guys. Yes, the bass is very special and it is not a design or pattern one would just make from thought. Having the original side by side was the key to success along with Arnold's hands. It was an experimental risk doing it to begin with as it's so different than any other bass as far as the dimensions are. I just had to see if it was possible to copy the pattern and modify it with corners, move the Fs up and out and still get at least a good sounding bass if not something close to the original. What we don't have is the 'exact' wood and species of the original, the age of it and the repairs as well as the centuries or settlement of the sum of its experiences.

That was a long sentence.. lol..

My point is that I was willing to take a chance and commission something that I thought would work. Arnold put his own work experience into it as well as far as the archings and graduations go so it IS a Schnitzer Bass but made off of a pattern he's never tried.

Now that it's here, I just have to play it and get over the anticipation from the building of it. Time to do some serious practicing now that I have no excuses at all.
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Old 12-19-2010, 02:36 PM
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Adrian Juras Adrian Juras is offline
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Wow! That is great to hear Ken. The bass looks gorgeous. I'd love to hear it one day. It will be nice to hear your thoughts when the original is complete comparing both basses. When do you anticipate the restoration will be done?
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  #6  
Old 12-19-2010, 04:10 PM
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Ken Smith Ken Smith is offline
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Question when?

Quote:
Originally Posted by Adrian Juras View Post
Wow! That is great to hear Ken. The bass looks gorgeous. I'd love to hear it one day. It will be nice to hear your thoughts when the original is complete comparing both basses. When do you anticipate the restoration will be done?
You have to ask Arnold. It's hard to say. The Top is done and on the Ribs but the Ribs are not started yet. The Back is in progress and going smooth. The Scroll is repaired and grafted into a its new Neck but will go in last. I would guess way before Summer 2011.
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Old 01-02-2011, 11:51 PM
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Ken Smith Ken Smith is offline
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Thumbs up ok..

I took the new bass out for a rehearsal today. It plays easy but it feels new. Duh..

I experimented playing some things in higher positions on lower strings like up most of the first octave of the E string and threw in some extension notes/8VL just to see how the bass responded.

It bows easy on all strings. Playing in an Orchestra is different than practicing at home. I cannot stress enough about practicing to know your bass as I had some intonation problems tonight. I played sharp and flat up and down the bass (only on occasion) as I was just 'going for it' and not worrying about where the notes were just to see how well the bass fit ME right out of the gate.

I think sticking with just ONE bass for now (harder for me than sticking to a diet.. lol) would be a good plan to play better in tune.

The bass seemed to be fairly loud, deep and smooth but had punch as well. I think the volume and presence brought out the intonation partly as well as adjusting to the height and feel of the overall bass. When playing it alone (no Orchestra) I can concentrate and play much better in tune. Once you throw new music in front of me, my attention is on the music and the bass needs to automatic under my fingers.

I remember playing the Riccardi bass and feeling how comfortable it was in my hands and against my body. Playing with the exact same Stool tonight I felt that same or rather similar comfort. The Riccardi was over a 44" string length and this one is under 42". Moving up the neck I was usually sharp possibly because of my muscle memory on the original needing more stretch to reach the notes. I am sure that in time I will get used to the modified length of this Copy bass as well as the original once it comes out of restoration at a similar length to what this one is now.
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