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  #1  
Old 06-20-2009, 05:12 PM
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Ken Smith Ken Smith is offline
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Default You guys are used to playing great basses, so all I want are answers.

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Originally Posted by Calvin Marks View Post
Ken, what's with the hostility?

I don't demand anything. I share my experiences and hope that someone like yourself or Arnold will shine some light onto this scenario as you both have experience with bass set-ups.

I don't know of any "set-up consultants", at least in my area. Perhaps the best solution is to pack my bass up and drive south of the border and get it set-up properly once and for all.
I was just responding to your statement;
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You guys are used to playing great basses, so all I want are answers.
I have you a huge first reply with all the details in a set-up and Arnold agreed 'what I said'. There is nothing more I can ad to it without having the bass in my hands if there is even more to say.
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Old 06-20-2009, 05:14 PM
Calvin Marks Calvin Marks is offline
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Doesn't Edgar Meyer and Jeff Bradetich play with super low action? Probably much lower than 4mm on the G.
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Old 06-20-2009, 05:19 PM
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Ken Smith Ken Smith is offline
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Originally Posted by Calvin Marks View Post
Doesn't Edgar Meyer and Jeff Bradetich play with super low action? Probably much lower than 4mm on the G.
I don't know what they use but they play the bass the play with the action the use. Is that the string height they would use in your shoes looking for a job in an Orchestra or did it take years to get to that and an instrument and set-up to match?

I can't answer you on that. Jeff and I were staying at the same hotel last week at the ISB by chance. Maybe had you asked me 2 weeks ago, I could of asked him one morning at breakfast!
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Old 06-20-2009, 06:16 PM
Arnold Schnitzer Arnold Schnitzer is offline
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Calvin, it's important that the fingerboard arch be set properly before the bridge curvature can be worked out. If the fingerboard is too flat (cross-ways) the outside strings will have to be low or you won't be able to bow the bass. If you are going to use 25mm spacing at the bridge, which is quite narrow (27-28 is "normal"), the fingerboard will need to be more arched than usual. I hope this is clear and helpful...
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Old 06-20-2009, 06:40 PM
Calvin Marks Calvin Marks is offline
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Quote:
Originally Posted by Arnold Schnitzer View Post
Calvin, it's important that the fingerboard arch be set properly before the bridge curvature can be worked out. If the fingerboard is too flat (cross-ways) the outside strings will have to be low or you won't be able to bow the bass. If you are going to use 25mm spacing at the bridge, which is quite narrow (27-28 is "normal"), the fingerboard will need to be more arched than usual. I hope this is clear and helpful...
Thank you for the reply. Very clear, very helpful. The bass came with 25mm, and it bows fine, so I'll leave it that way. Seems that I need the fingerboard plained properly and then the bridge set-up in accordance with 4,5,6,7or8.
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Old 06-20-2009, 07:15 PM
Calvin Marks Calvin Marks is offline
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Should the strings fit IN the bridge/nut grooves or over? My G-string if fairly thin in gauge (Pirastro Flat-Chromesteel) so it has a lot of space in the bridge slot, whereas the rest of the strings are on top of the groove.
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Old 06-20-2009, 10:14 PM
Arnold Schnitzer Arnold Schnitzer is offline
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I like the strings to sit about 3/4 of the way down into the groove. And I want the groove a few thousandths wider than the string. (Don't you just hate words like "thousandths" with five consonants in a row? Doesn't exactly roll off the tongue, does it?)
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