C-Extensions

[Kjetil Laukholm]

I also prefer a chromatic ext, but you have to be able to play those licks without one.
I just came back from a long tour of europe with the Copenhagen Phil with beethoven 3 on it and while it took a lot of work, the low licks in felt fine on the Hill and it had an e lock only. On my old Hachez I did as you do and latched each.

I see too many players using the stops as crutches and they never learn to play the fingered notes as securely as any other range on the instrument.

[Ken Smith]

Originally Posted by Kjetil Laukholm

I also prefer a chromatic ext, but you have to be able to play those licks without one.
I just came back from a long tour of europe with the Copenhagen Phil with beethoven 3 on it and while it took a lot of work, the low licks in felt fine on the Hill and it had an e lock only. On my old Hachez I did as you do and latched each.

I see too many players using the stops as crutches and they never learn to play the fingered notes as securely as any other range on the instrument.

Jumping back and forth on that section seems do difficult especially if you want to have any length of the note values fingered on and off the extension. That would cut the note values in half for me. Am I missing something here? Other than the Bass playing the Cello part an octave below, anything that helps you get there should be good. I see no shame in latching them and then having the pedal already latched for the other 2 or 3 notes in each run.

[Kjetil Laukholm]

No shame in latching (and I wish I had my old Hachez exension with locks while playing it) but one does need to be able to play it without. The style in that passage is somewhat short so the shift is not a problem. The only real problem is consistancy of pitch, which takes some work.

[Ken Smith]

Originally Posted by Kjetil Laukholm

No shame in latching (and I wish I had my old Hachez exension with locks while playing it) but one does need to be able to play it without. The style in that passage is somewhat short so the shift is not a problem. The only real problem is consistancy of pitch, which takes some work.

Well, even without the low note shifts, pitch does not come so easy..

[Kjetil Laukholm]

To quote Ed Barker, "as a bass player, your consistancy of pitch is equal to your standard of living"