Set up differences/jazz and classical players

[Arnold Schnitzer]

Originally Posted by Bob Branstetter

I have always considered dressing/planning of the fingerboard to be an integral part of any setup. If the fingerboard is not right to begin with, IMO, it would be a total waste of time to do anything meaningful to the nut or bridge. I can't start to count how many times I've had people call me and tell me that they want the "action" lowered and "all the is needed is to lowering the nut and bridge". 95 times out of a 100, the "real" problem is with the fingerboard.

Applause!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!