Thomastik Bel Canto Strings

[Charles Arms]

I am using them right now. I would compare the tone to Flexcor in terms of depth and color. However, they are easier to start and more supple under the left hand.

My bass is a new hybrid. It sounds better bowed than it ever has.

[JoeyNaeger]

A lot of people had their basses strung with these at TMEA. After playing on them some more, I think I will get a set. They have the fastest bow response of any string I've played, and have plenty of volume. You can't dump lots of arm weight into them like some other arco strings because they're so low tension, but I feel like its not necessary with these strings anyway.

[JoeyNaeger]

I just put a set on my bass finally, and am very pleased. The G and the D are basically perfect. I wish the A and the E were stiffer but I seem to have this problem with every set I try so perhaps it's more of a setup issue. I was worried they would be too dark, but on my bass they have plenty of color while still being very warm.

[Eric Swanson]

I have had BC's on my bass since Christmas. So far:

- Easy under the stick
- Take less arm weight than I am used to...they work better with a lighter touch
- While better than anything else I have tried except Flexocor's for arco, they lack some of the Flexo's punch, on my bass. Not worse, just a little different.
- Even across all strings
- No "choking out" when I put more arm weight/less speed on the bow and play down near the bridge...a nice, piercing sound there, when playing in TP, on all four strings (yes, even the E).
- Consistent sound from the bottom note to the top of TP
- I like the pizz sound/feel. They don't have the fretless EB thing going like Spiro Weichs can (endless sustain without effort), but they growl plenty for me. A clear, warm pizz sound, to my ear.
- Soft under the hands, supple feeling, a nicely polished surface
- A little "floppy" but not troublesome...no rolling or anything like that
- Hold their tuning really well. Virtually no stretching after the first day or two.

I like them way better than Obligatos, Helicores, Corelli's, Spiro Weich, or Thomastik Superflexibles for arco, hand's down. Not as much as Flexo for projection and edge, but they are nice in their own way.

Haven't tried the Evah Pirazzi's, Eurosonic's, or Permanents, so can't compare to those.

[Katie Long]

It seems that almost everyone over in London is switching to BC's so I'm waiting for my set now. They've got a really good reputation over here so I'm going to give them a try on my bass. Other than that I quite like the sound of the evah pirazzis that lots of people are hyping at the mo. I'll let you know what I think when I eventually get them.

[Calvin Marks]

I completely agree with Ken in terms of "what bow you use." If you don't have the most refined bow technique and you play with a heavier bow these strings will most likely roll on you. It takes a lot of patience to get these strings to work well, but when they do they sound amazing. I love every one of the strings except the E is a bit too low in tension in my opinion. My A used to roll a lot but that had to more so do with getting used to relaxing my bow arm with my new orchestral bow. Definitely try them, they are really loud and sound very warm.

[Brian Casey]

I just put a set on my 7/8 Christopher 401 Monday night and the transformation was amazing. Orchestra rehearsal Tuesday and I left happier with my personal performance than I have in a long time, probably a combination of the BC's and the Oak rosin I received on Monday as well. I had been playing 3 year old Helicores, so anything was an improvement, but I think the BC's will be my string for awhile. Yes, a little soft, but they're still solid feeling, and I'm learning to finesse them better every day.

I was most surprised by the pizz sound, which I was really enamored with. I'm now considering leaving the Pfretschner home on some upcoming jazz gig when I know I'll have plenty of room and try to big Chrissie on a night of pizz. I'll always go back to the Pfrestschner with Olivs and Spiros, but the BC's have revitalized my feelings about the Christopher. I can see some validity to the comments about BC's working best on newer basses, but can't address which ones really do better under more or less tension.

Also, my luthier, who I bought the strings from, mentioned that you can tune the BC's up to solo pitch without problems. He said he's done it himself a couple times. Anybody else hear anything like this?


Brian Casey / Tanglehead

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